Category Archives: Christian Fiction

Wormwood and Gall a Midwest Book Award Finalist

The Midwest Independent Publishers Association (MIPA) recently named Wormwood and Gall as one of three finalists for a Midwest Book Award in the Religion/Philosophy category. The awards program, which is organized by MIPA, recognizes quality in independent publishing in the Midwest.

The 30th annual Midwest Book Awards was open to books published and copyrighted in 2019 in MiPA’s 12-state Midwestern region: Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota and Wisconsin.This year’s competition garnered 221 entries in 31 categories, which were judged by a panel of 99 librarians and booksellers from every state in MiPA’s 12-state Midwestern region.

Typically an awards gala is held every year in Minneapolis to announce the winners, but this year, due to travel and shelter-in-place restrictions from Covid-19, winners will be announced during a free, online watch party on Facebook set for June 27 at 7pm CDT, with book prizes for attendees and a special segment by independent booksellers throughout the Midwest on how to support them at this time.

“Although we were disappointed to cancel our gala this year, we are excited for the potential to attract a larger audience who can help make this a truly regional event that celebrates Midwestern publishing,” said Jennifer Baum, chair of the Midwest Book Awards.

The Midwest Book Awards, which began in 1989, is organized by the Midwest Independent Publishers Association (MiPA). Founded in 1984, MiPA exists today as a vibrant professional nonprofit association that serves the Midwest independent publishing community through education, networking, and peer recognition.

Holmen’s earlier work, Queer Clergy; A History of Gay and Lesbian Ministry in American Protestantism was previously a finalist for a Minnesota Book Award in the non-fiction category.

Ancient History Made Contemporary and Compelling

Colleen Kwong is a pastor and an artist (potter). We began bumping into each other and exchanging our work a few years ago at church conventions. My fingers trace her clay labyrinth that sits on my desk. I sent her a proof copy of Wormwood and Gall, and she soon replied that she “devoured” it and sent the following review.

Who would think that a book that begins with “On a late summer’s day in the reign of Emperor Vespasian…” would be a page-turner?! And yet, RW Holmen has taken a page from ancient history and made it feel utterly contemporary and compelling.

He describes the sensory atmosphere of first century Jerusalem and environs with such ferocity that one feels, smells, sees, hears, and tastes the desperation and the occasional delight of those present in that place.

As with other writings that engage historical settings, we know the ending before we begin, but Holmen is able to take us on the journey with the protagonist Markos (the reconstructed imagined writer of the gospel of Mark) with such clarity that we feel the urgency of the time.

For the knowledgeable historian, this book offers insights into the very human aspects and possible scenario for the writing of Mark’s gospel. For those with less historical knowledge, it provides enough factual information to make the story understandable in its historical context.

Holmen hints at the power of the person Jesus through his contacts with Jesus’ relatives and friends, but does not overpower us with the usual saccharine media portrayal of “knowing Jesus as Christ.” He manages to give glimpses into the hope and possibilities of following the Christ as shown in those who knew Jesus and attempt to follow the teachings and example of Godly living. All this in a time that was brutal, where loss is great, and hope is almost unimaginable. Personal decision making and community responsibility is lived out by the book’s characters in varying ways, each having to live with their decisions, and some questioning the meaning of it all.

It is in this world of destruction, tragedy, chaos and confusion that Markos and his circle struggle for a sense of humanity and meaning. And, lucky for us, Markos is able to record it for us, as he is a scribe.

Thanks to RW Holmen for also being a scribe, doing the hard work of researching, recording, imagining, and reconstructing a possible scenario of the writing of the Gospel of Mark. This book would be a wonderful addition to a Bible study, to give life to the characters that often seem distant, and to invite us into a world that, though distant in time and place, feels contemporary through Holmen’s writing.

More Reviews: Wormwood and Gall

A pair of new reviews have been posted on Amazon. I asked Pastor Phil Eaves and Susan Troselius to review advanced reader copies of Wormwood and Gall, knowing that they had earlier expressed appreciation for A Wretched Man. On one hand, it is fair to say that these are cherry-picked reviewers for that reason, but there was also a level of dread on my part that the latest novel might disappoint and fail to live up to the expectations raised by my first novel.

Phil Eaves is a retired pastor and former St. Olaf College trustee living in Northfield, and he arranged several appearances/book readings on my behalf in that college community when A Wretched Man was first released. His review of Wormwood and Gall “came pouring out after an engaging and delightful adventure in reading your remarkable new book. I have not written many reviews and it is not exactly my forte so I penned these comments as more of a personal response.” It’s pitch perfect.

The wonder of the Bible is just when you think you’ve got it all figured out, just when you are ready to write a rule or proclaim a doctrine, someone like R. W. Holmen comes along with a refreshingly unique perspective. Using his gifted imagination, astute scholarship and variety of real-life vocational adventures Holmen shows us something new while challenging us to grow from the experience. Don’t get bogged down in whether “Wormwood and Gall” could have actually happened … enter into it! Live the story first, study it later and enjoy the fullness of the journey.

Susan is a colleague at Central Lutheran in Minneapolis. When she heard of the pending publication of the novel, she asked, “Where can I get a copy?” My response was to offer a “proof copy” in exchange for her feedback. Her review follows under the Amazon heading, “A must-read…historical fiction at its finest”:

After many conversations with R.W. Holmen regarding my anticipation of his next novel, I was delighted to receive the advance reader copy of “Wormwood and Gall.” In this account of Mark, believed to be the author of the first of the four Gospels in the New Testament and, as with “A Wretched Man”, I needed to read slowly and thoughtfully, to savor Holmen’s rich character development and the historical, cultural and societal intricacies he brings to the telling. The gift that Holmen gave me in this book was painting a picture for me of what might have been and how it may, or may not, mesh with my own interpretation of history in this, or any other gospel account. As usual, I have more questions than answers; for now, I will relish the experience of Holmen’s rich and unique perspective of Mark’s journey and those with whom he journeyed.

I am flattered and immensely thankful for the kind words.

Early Amazon reviews for Wormwood and Gall

Folks who received advance reader copies of Wormwood and Gall have posted five-star reviews on Amazon.

Pastor Wesley White has penned his own book centered in Mark’s gospel, entitled, Slow Reading the Gospel of Mark, a reflective, meditative, and introspective invitation into the gospel narrative. Pastor White’s review of Wormwood and Gall lauds the historical integrity, the weaving of scriptural themes, and the theological consistency of the novel with the gospel:

Historical and archeological details scattered throughout the novel give a richness and grounding to the reading … Holmen knows his history and scripture and weaves them together in a way that surprises and delights … The question of, ‘Who am I’ (from the perspective of both Jesus and the reader), lies at the heart of Mark’s gospel and is raised in a variety of ways throughout this novel … an organizing principle.

Phil Soucy also commends the historical underpinnings of the novel:

Brilliance in historical fiction lies in stitching together the tumult of large events through the lives of fictional characters, their veracity resulting from meticulous and encyclopedic research into the events themselves, the cultures of the time, the societies that existed within those cultures, and an understanding of the impact on the future flowing out from this time.

Soucy adds that the novel speaks to the human condition through the experiences of the principal character:

Markos … seeking to extract meaning from the events of his life as they happen, is drawn along a path towards authenticity about who he is. We, you, will be pulled along with him.

My thanks to Wesley and Phil as they help to bring Wormwood and Gall to the attention of readers interested in Biblical history and the big questions in life.

Wormwood and Gall: an odd book title

The Hollywood screenwriter who hopes to bring A Wretched Man to a movie screen near you, once complimented me on my imaginative, and sometimes provocative, book titles: A Wretched Man, Gonna Stick my Sword in the Golden Sand, Queer Clergy. I could add my current work in progress, Lady Liberty is a Bitch. So, where does Wormwood and Gall come from? For starters, Wormwood is a medicinal herb, and gall is bitter bile.

Of course, Paul’s own self-designation provides the title for A Wretched Man. “Wretched man that I am! Who will rescue me from this body of death?” Romans 7:24. Similarly, Wormwood and Gall derives from a Biblical reference: in this case, a lament for Jerusalem:

How lonely sits the city that once was full of people! How like a widow she has become, she that was great among the nations! She that was a princess among the provinces has become a vassal.

The thought of my affliction and my homelessness is wormwood and gall! My soul continually thinks of it and is bowed down within me. But this I call to mind, and therefore I have hope: The steadfast love of the Lord never ceases, and his mercies never come to an end; they are new every morning; great is your faithfulness. Lamentations 1:1 & 3:19-22

This lament aptly suggests the novel’s theme. In the midst of despair as Roman legions besiege Jerusalem, and all seems lost, a narrator scribes ink strokes on a papyrus scroll to bolster courage and inspire hope in the beleaguered remnant of Jesus followers, four decades after his crucifixion. The novel characterizes Markos (Greek for “Mark”) as someone who wrestles with existential questions as to the meaning, or meaninglessness, of life.

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Is literary fiction a dinosaur?

First, a working definition of “literary fiction” from Wikipedia:

A concern with social commentary, political criticism, or reflection on the human condition.
A focus on “introspective, in-depth character studies” of “interesting, complex and developed” characters, whose “inner stories” drive the plot, with detailed motivations to elicit “emotional involvement” in the reader.
A slower pace than popular fiction, “literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way”.
A concern with the style and complexity of the writing: “elegantly written, lyrical, and … layered”.
Unlike genre fiction, plot is not the central concern. The tone of literary fiction can be darker than genre fiction.

Literary fiction is often contrasted with genre fiction, commercial fiction, popular fiction, etc. Among other trends in the publishing industry, literary fiction is increasingly becoming a lost art, driven by cultural changes and market influences. Sadly, good books don’t sell. An overstatement, of course, and there are exceptions. Here in Minnesota, we have authors Louise Erdrich and Marlon James, winners of prestigious writing awards who also manage to sell a good number of books.

Publishing industry veteran Brooke Warner sums up the dilemma this way:

This week I had lunch with an agent friend who expressed her frustration that the best manuscripts she’s representing simply aren’t selling to traditional publishers … It used to be that traditional publishers were curators of what we read, and therefore, in a trickle-down way, of our cultural values. Literary books—which usually refers to books of substance, that are more intellectual, typically better written, and stylistically more sophisticated—were valued by mainstream culture. People actually strove to be well-read. There’s no question that our cultural values have shifted in the wake of twenty-four-hour news cycles, digital content, and the constancy of social media … While literary works win awards, and are the books that transcend time, they’re also becoming the least desirable projects for agents and editors.

Wormwood and Gall imagines the person, the community, and the circumstances behind “the Gospel according to Mark.” Although there are battle scenes, escapes, desert storms, love lost and regained, Wormwood aspires to be literary fiction. Whether it qualifies remains to be seen, but I hope it wrestles with big questions in a meaningful way.

I penned Wormwood a couple of years ago, and then I brought it to a Christian writer’s conference in Nashville where I met other writers who were churning out three and four Christian romance novels a year, and the publishers were lapping them up, so long as they followed a pat formula: a chaste woman meets a fallen man; she brings him to Christ; and they live happily ever after. But, I found no takers for Wormwood.

Now, I’m going to take Warner’s concluding advice, “Set measures of success that include but are not limited to sales, and seize your own publishing future by the reins.” Wormwood will soon be self-published as an eBook through Amazon and a paperback through Amazon’s Createspace, “print on demand” platform.

Support is appreciated. Buy it. Tell your friends about it and encourage them to buy their own copy. I always smile but wince inwardly when I hear, “I love your book. We’re passing it around at church.”

A Wretched Man Movie?

About six weeks ago, I was contacted by a Hollywood screenwriter who expressed interest in adapting A Wretched Man, a novel of Paul the apostle into a screenplay. Following discussions and negotiations, we have today reached agreement. The screenwriter, who has been in the movie industry for nearly a decade, shares my vision and passion. In his first email to me, the screenwriter commented:

I am fascinated by the story and believe that it could make a really intriguing film—something independent, honest, touching … a film that takes these Biblical giants and makes them accessible, human, and endearing. What I like about your take on the story is that when Paul is wounded—it actually seemed to hurt. I think a movie like that would speak to many.

Whether A Wretched Man reaches the silver screen or not remains a long shot. After a screenplay is completed, the screenwriter must then persuade a producer or other monied interests to invest in a film, but I am convinced that the screenwriter has the appropriate experience, expertise, and contacts to give it a good shot.

Indulge me in a bit of fantasy. For those of you who have read the book, what actor should play the role of Paulos? Shall I, a la Hitchcock, play a cameo role? Perhaps the character of Eli the sage? Or Jubilees, the phantom seer?

A book review from New Zealand

It’s a small world we live in. The latest scholarly review of A Wretched Man, a novel of Paul the apostle, comes from the opposite side of the globe—Dunedin, New Zealand. Dean of Studies at the Knox Centre for Ministry and Leadership, Dr. Jason Goroncy, offers his review which praises the attempt to reimagine theology through art. The following is an excerpt, but you can read the entire review at Dr. Goroncy’s blog, Per Crucem ad Lucem.

[T]he communication of divine truth demands the work of the very imagination it is determined to sanctify. So Jonathan Edwards: ‘Unless you use imagination, unless you take a truth and you image it – which of course is art – you don’t know what it means’. Or, citing John Henry Newman:

The ways in which we ‘see’ the world, its story and its destiny; the ways in which we ‘see’ what human beings are, and what they’re for, and how they are related to each other and the world around them; these things are shaped and structured by the stories that we tell, the cities we inhabit, the buildings in which we live, and work, and play; by how we handle – through drama, art and song – the things that give us pain and bring us joy. What does the world look like? What do we look like? What does God look like?

This is precisely why I welcomed reading Obie Holmen’s A Wretched Man: A Novel of Paul the Apostle. Holmen seeks to … situate Paul in his geographical, social, historical and psychological landscape, and gift us with a creative way of hearing afresh the letters that make up the bulk of the New Testament.

According to Holmen, prior to his fire-side conversion-encounter with Yeshua (Jesus), ‘Paulos (Paul), the defender of orthodoxy, had acquired a proud identity and a status; self-righteousness became the dressing for his wounds, masking his inner torment’ (p. 75). Indeed, ‘the wretched man wandered the streets of Tarsos, lost and alone, accursed and condemned’ (p. 54). Thereafter, Holmen paints Paulos as one who is seeking to carve out the implications – for Torah, for Jewish privilege, for our understanding of God, etc. – of this radical encounter with Yeshua. The entire story takes place, markedly, against Paul’s own conflict – the ‘inner torment’ – between his inherited (and then reconstituted) theology and his homosexuality, the latter manifest in his relationship with Gentile friend Arsenios. Augustine once suggested, to the shock of some of his fellow bishops, that St Paul may have been ‘greatly tainted by sexual desires’. In his portrait of the gay Apostle Paul, Holmen exploits this suggestion beyond what the old bishop of Hippo may have had in mind, and some readers may well lay the book down because of such. But such action would, in my view, represent a premature judgement.

… Holmen is a gifted writer, and his well-researched yarn is certain to encourage readers to read the Bible in a new light, with a deepened awareness of the groundedness of its message, with a new appreciation of the real humanity of its figures, and – I suspect most importantly for the author – a renewed wonderment of the magic of divine grace.

Was Paul the apostle gay?

A week ago, I spent the weekend in Milwaukee promoting my novel to the 2,000 participants of the Roman Catholic Call to Action Conference. One of the keynote speakers was retired Episcopal Bishop John Shelby Spong. The Bishop is an outspoken proponent of progressive Christian causes, and he has published a dozen or so books in the last several decades that have attracted a huge liberal readership.

I was greatly pleased to have the opportunity to visit with the Bishop for a short time. For those unfamiliar with my novel, A Wretched Man, a novel of Paul the apostle, the characterization of the man from Tarsus suggests he struggled with homosexual urges, which he characterized as his “thorn in his flesh”. Bishop Spong shares this view, and we briefly discussed our common impression. Bishop Spong said he first read of this idea in a 1930’s treatise by the British theologian Arthur Darby Nock. I offered the bishop a copy of my book as a gift, which he graciously accepted and asked me to sign it for him.

A video of the bishop explaining his rationale has appeared on You Tube. Watch and enjoy:

The bones of James the Just on trial

James, the brother of Jesus, sometimes known as James the Just, is in the news. A dealer in antiquities, Oded Golan, is on trial in Israel. It is alleged that he fabricated the evidence of the authenticity of an artifact possibly connected to James.

A bit of background is in order.

Many are surprised that Jesus had siblings, and some would deny it altogether, but the Bible contains several clear references. Here’s a partial list, which includes references in each of the four gospels, Acts, and Paul’s letter to the Galatians:

Is not this the carpenter’s son? Is not his mother called Mary? And are not his brothers James and Joseph and Simon and Judas? And are not all his sisters with us? Mt 13:55-56
Is not this the carpenter, the son of Mary and brother of James and Joses and Judas and Simon, and are not his sisters here with us? Mk 6:3
Then his mother and his brothers came to him, but they could not reach him because of the crowd Lk 8:19
After this he went down to Capernaum with his mother, his brothers, and his disciples Jn 2:12
All these were constantly devoting themselves to prayer, together with certain women, including Mary the mother of Jesus, as well as his brothers Acts 1:14
but I did not see any other apostle except James the Lord’s brother. Gal 1:19

Acts and Paul’s letters make it quite clear that James became leader of the Jerusalem based, Jewish followers of Jesus after the crucifixion, and he remained in charge until his unlawful death over thirty years after the crucifixion, an event recorded by the contemporary historian, Josephus.

Finally, Acts and Paul’s letters also report the ongoing disagreement between James and the apostle Paul over the question of Gentile inclusion into the movement. James was reluctant to allow Gentiles unless they agreed to follow Torah, including circumcision, dietary rules, and calendar observances. This ongoing conflict between these two leaders forms the plotline of A Wretched Man novel.

Now to the current news of James.

It was the Jewish custom during the 1st century (among the Pharisees and others who believed in the resurrection of the dead) to rebury the bones of deceased family members a year or more after death. The bones would be carefully placed in a stone box, called an ossuary, and placed in the family tomb. Nearly a decade ago, an Israeli antiquities dealer claimed to possess an ossuary with the inscription, “James son of Joseph brother of Jesus”. No one questions that the ossuary and the bones date from the correct time period, and it also appears that the first part of the inscription is authentic. But, prosecutors claim that the defendant skillfully added the words, “brother of Jesus”.

It appears that the academic community is split over the authenticity issue. The judge in the case is now considering his verdict, but the scientific controversy will hardly be settled by his decision in the criminal trial of Oded Golan. In a later post, I will offer a book review of The Jesus Dynasty by James Tabor which considers the James ossuary controversy in depth.